Kamila Travesti Portugal Scholar of ancient Egypt identified the mysterious Hyksos kings.

and by the Egyptian priest Manetho, which in Hispanic literature known as Manetho. According to these codices written in Greek medieval, kings

Hükoussôs would, Salitis (or Saitis) Bnôn

,

Apakhnan (or Pakhnan) Apophis , Ianna , Staan

,

or Asêth Assis, Arkhlên

and Afôfi

, according to the two main versions, Manetho and Africa. These names of Hyksos kings, according to Manetho, have been identified with the Egyptian kings
Š3rk ("Salitis?)
Jppj (Apophis), h

y3n

(" Ianna?, St "o-Latin and Latin the Doric and Ionic.

Salitis, or "Jumper." Minoan Fresco Avaris, capital of the Hyksos in Egypt. (Http://www.ancientworlds.net)

Identification with Indo-European names.

According to Diaz-Montexano Salitis corresponds to the Latin Salitis. Saliti-s can be translated as "Jumper" or "the jump", "the dancer or dancer." These translations are reminiscent of representations of "Jumpers" Minoan found in the Nile Delta town, identified as Avaris, the capital of the Hyksos. In structure, however, corresponde other Greeks also names ending in-itis as: Mel-itis

(Meli "honey"), Pol-itis (of Polis, "City"), Phil-itis (of Philos, "beloved"), so

Salitis could also be translated as "shaking", "the agitator", "which shakes" (nickname similar to those used to denote Poseidôn) of Sali / Salai / Sale "shock, shock." As Salitis variant registered as Saites could be the pronunciation of the Egyptian word Sti that appears in the name of Ta-sti as d would correspond to the archaic Greek Apakhnan , "Glitter", recorded in the lexicons Dorian and Aeolian. A-pakhnan would result, or as "no frost", "no freezing or coagulation, or as" that of frost, ice, freezing or coagulation. Another interpretation, as valid as the previous one, would Apakhnan , consisting of "apo"-as-more akhnazô proprietary, "miserable, shame." Apakhnan then be translated as "it will not be miserable," he who does not feel pain (or mercy). " Apophis {vars.: Aphophis , Aphobis } = archaic Greek (Ionian and Aeolian) " Ap 'ophis "(for short for apo, before vowel)," which separates (or away) from the snake, "" for (from) Ophis [(country) of the Serpent] or simply "the one Snake. " In the event that the correct form is the variant Aphobis , this name could be translated through Greek Aphobia / Aphobos "without fear", "Bold, Fearless, courageous, fearless."

Staan

would correspond to the archaic Greek Staan

, "standing, quiet, steady, stable."

Ianna could be a Proto-Greek or Mycenaean like IAON contracta or Ionian Greek and Indo-logy in the names of the Hyksos kings of Manetho would have a testimony of the oldest known Indo-European forms of these names that survived after the Doric Greek dialect and wind. Dialects that are considered as they existed at that time of the Hyksos dynasties ...

I think the Hyksos could be proto-Indo-European Greeks, probably from the Minoan-Mycenaean, and this would explain the considerable amount of evidence of this found in Avaris civilization ... ". "Says Diaz-Montexano. Note: soon to be published the full article with a literature and website

Used Boat Auctions In Ontario PHARAOH SARCOPHAGUS IDENTIFIED IN NEW TOMB AND QUEEN OF THE VALLEY OF THE KINGS. Egypt Discovery

CNN ng taken in the newly discovered "cachette" or cache of coffins of the times of the XVIII Dynasty, listed as KV63. Among the tracks, clear traces of intentional destruction of the sarcophagi and some strange plant roots that sprout from the inside of some coffins.

María Fernández-Valmayor. http://egiptologia.arqueotour.com/ http://www.laAtlantida.info/ Madrid. February - 14 - 2006.

According to this researcher, the first sarcophagus shown in the light, which is the safest interpretation seems pertecene a woman, whose features suggest or to Kiya, mother of TutAnjAmon possible, or to its AnjesenAmon wife, without discarding any otra sister, aunt or close relative of the boy king (see news SAIS)

The color of all the sarcophagi is predominantly black with dark green hue (the color of Osiris, the Resurrection), which corresponds to a style used in the New Kingdom, mainly in the XVIII Dynasty.

Diaz-Montexano has been seen as at least two of the seven coffins found in KV 63 show serious damage lacking the top for the head, while all show signs of having been abused during the more than probable process of starting the gold plates that would make up the drawings of the exterior surface of thesarcophagi and where it would be engraved with the names of the characters.

A very similar to that preserved in the British Museum may have had the seven coffins found in the "cachette" before being looted by grave robbers.

Details of the damage caused to the coffins. The heads were taken at least two of the seven coffins.

The English-Cuban escriptólogo Georgeos Diaz-Montexano.

"... These apparent destruction of the KV63 coffins, can only be explained as the result of looting by tomb robbers. These tracesres openings, holes or cracks, one in the jaw or chin, one in the nose, and the most intriguing, right down the front, where it could have been inserted a Cobra or uraeus, one of the real symbols of Pharaoh. Georgeos Diaz-Montexano, scholar of ancient Egypt and President Emeritus of the Hispano-Egyptian Society of Egyptology (founded in 1997 by Egyptian Egyptologist Sameh El Hefnawy) considers that it is quite likely that the insertion hole would be left to be sarcophagus torn Cobra might be coming out of the plant root observed in the same area (or perhaps a kind of metal locking pin.) Although it is rare to find in a tomb as KV63, closed and sealed for over 3000 years rootsfound that the 20 vessels that appear around the five coffins, more than just vessels for holding food for the "Beyond", as so far all Egyptologists think, canopic jars are actually improvised by the priests after a ransom original tombs in all likelihood would have been plundered by grave robbers. "... Egyptologists say there are twenty large vessels in a semicircle around the five sarcophagi, which certainly seems to appreciate in the pictures that have been around the world. Bearing in mind that usually the canopic jars used to contain organs are four-for every dead man, this total of twenty vessels suggests that we consider this possibility since it cor